Showing posts with label authors. Show all posts
Showing posts with label authors. Show all posts

Sunday, July 3, 2011

Dusk and Summer by Joseph Pinto - A Review

Hello fiends.

Today we are not talking horror. I know. Perfectly awful of me, is it not?

No, today we are talking pain and sorrow, yes, but not horror. Today we speak of grief, of cancer, and how one man's brush with those things inspired him to write for a cause.

"DUSK AND SUMMER", a novella by horror author Joseph Pinto, is an emotional journey of one man who seeks to complete a single, seemingly innocuous task for his dying father.

This story is an emotionally charged and suspenseful tale of the love between father and son and the lengths that love can drive them to.

Within the story, you can hear Mr. Pinto's horror roots in the prose; you can feel it the words. This lends the story a somewhat eerie and foreboding feeling that is never quite eradicated to satisfaction. I did get the feel of a horror tale and this story was not. This left me somewhat disgruntled by the end on the first read. However, when I read this novella the second time, I felt the horror that comes with the impending death of one so loved and reconciled that to the feelings of dread. And my interior horror junkie heart purred in satisfaction.

With this novella, Mr. Pinto is reaching out. A portion of each sale goes to the Lustgarten Foundation for Pancreatic Cancer Research. This is research we as humans desperately need. Pancreatic cancer is horrible and leaves little room for hope. Patients with pancreatic cancer who have surgery receive only a 5 year survival rate, at 40% so long as the cancer hasn't spread to the lymph nodes. 5 years? 40%? In this day and age, that is all the hope they get... AFTER surgery?

Unacceptable. Buy this book. Make a donation.

It makes a difference, whether you can see it or not.

You know how I always close with Peace & Love?

I ask you instead to give some peace of mind... share some of your love.

It matters.

~Effie

Saturday, January 15, 2011

Meet Draven Ames: Author of horror and other dark fiction

Hello everyone. I'd like to take a few minutes of your time to introduce you to a fellow horror writer that I've recently come across.

I met Draven over at SNM Horror Magazine in the reader's guestbook. We were both in the January Jambalaya issue this month and he commented on my story. After reading his, which was Story of the Month, I was delighted to see that I'd found another horror writer who writes in a way I find very entertaining.

After talking to him for a little bit, he graciously agreed to allow me to feature him here with a piece of his fiction and an interview. So, without any other comments from me, here is a look at horror writer Draven Ames.

MUTATED STRAIN

By Draven Ames


Blisters formed and tore at Joe’s feet, soles worn from walking while the world withered with sickness. A seat opened and he made sure his daughter could sit down. Though little Cassia normally burst with spunk and excitement, today she looked beat. Exhaustion became the common mask worn by the people in sitting along the outside of the depot. Each passing minute became longer than the last. Newspapers draped sleeping men and children, huddled together for warmth.

On the front page read, “MUTATED STRAIN BREAKS OUT!!!” The article detailed how a virus, labeled as ‘G2O2,’ broke out across America. Not long after, the sickness spread everywhere—no one was safe. The flu-like symptoms quickly became a pandemic, even with a few deaths.

When scientists had an immunization made and ready within weeks, the world clapped with amazement.

Unfortunately, the paper joked, viruses mutate.

According to the article, the second strain showed up a couple of weeks ago. Almost half of the nation began to drop like flies. Airforce One stayed in the air almost constantly. One day, above Chicago, the news headlines around the world replayed the most harrowing video.

It showed the President’s plane fall like a rock. The beautiful Illinois skyline would be scared forever.

When Joe’s daughter started to follow his eyes from across the depot, he looked away from the story. He felt bad for her. It was cold and her jacket got lost between hospitals. They were tested with the second wave of people at one of the hospitals in Coal Beach, Washington. Neither of them had jackets.

The air smelled stale outside the depot; not unpleasant, just odd. He couldn’t be sure how many doctors scurried about in white lab coats between the trains and people – but they were everywhere. They weaved into the flood of humans that collected in the gravel parking lot. Long rows of metal benches stretched out, surrounding the dilapidated brown and white depot on both sides. The place looked outdated and worn, like it belonged on the back of a 1950’s post card.

Many stood in the grassy area in front, until little green could be seen in the sea of faces. Sweat hung in the air and refused to be swept away by the easy breeze. Some slept, others had their arms crossed and most looked tired—drained by emotions and fatigue. The depot would have been a claustrophobic’s nightmare, inside or out.

“Nice watch,” a man said, eying Joe’s right hand. He sat below, looking up from his bench. Something about him reminded Joe of his uncle – creepy, sunken eyes and halitosis like rotten fish. “Heirloom or?”

“This? Pfft, thanks,” Joe mumbled. He had never met the man, but plenty of people started off conversations by mentioning his father’s watch. “Good eye.”

“That your girl over there?” the man asked, looking over at Cassia. He wore a jogger’s outfit and had a three-day beard. A black, plastic bag sat in his lap. Rips and tears on the outside revealed the fabric of clothes.

“What? Oh, yeah. Yeah, that’s my girl. Poor thing.”

“She misses Mom?” he asked. His almond eyes canted down on the outside corners as he frowned.

“Yeahup.” Joe said like the word weighed two-hundred pounds. Until his wife died, the enormity of the global sickness didn’t seem real. Now… He would have gladly taken her place, but tried to focus on his daughter’s safety.

“Just you two?”

Tears rolled, but Joe’s face stayed firm. He didn’t blink or look ashamed. The sadness was a badge. “Yeah, just us now. Just us.”

“She must be sad,” the man ventured.

He didn’t know the half of it.

“Everyone’s sad,” Joe said. But Cassia cried so much that he spent most of his time comforting her; the time for mourning became a luxury few had. She didn’t talk much lately. “Everyone.”

Further down the benches, there were far more children without parents than with.

“Besides,” Joe added, leveling his eyes on the man. “What’s it to you?”

“Oh, just thought that she looked kinda cold. Thought she might need a coat.” The guy’s eyes flicked to Joe’s father’s watch as he opened up his bag.

#

Cassia looked ready to fall asleep, even if only for a moment. Being ushered from one place to another for the last day and a half took its toll. That, and the doctors poked and prodded them without warmth or compassion. The overcrowded train station became a sign of hope to everyone. Every tired faces wore relief.

Cassia looked up from her spot on the bench outside. She sat between an old frail lady and a young man in a gray business suit. “Daddy, I’m cold,” she said.

Joe leaned down, brushing hair out of his face. He put a newly acquired coat over his daughter’s body. His wrist was noticeably bare.

She drew it close and wiggled into it.

“I know Cas. Here.” He gave her cheeks a light pinch, “Didn’t know we’d be gone this long. Guess we should’ve brought blankets. I’m not cold anyway,” he lied, zipping up the front while smiling at how silly she looked.

Putting his hands in his pockets, he scrunched up his shoulders and asked, “Better?”

Cassia returned the smile. Her eyes widened and her forehead wrinkled. “Much,” she replied. “Are we going on the train soon? I’m tired.”

The trains started coming right after the President passed away. The paper claimed that the healthy would be taken to a colony. There, safe from further mutations, a cure would be researched and found. The top minds in the world were being rounded up by all the nations.

But the painted outlook for the world did not sound hopeful.

It said computer generated simulations predicted seventy-five percent of the world would be dead within a week—ninety-five percent within a month. The human race would be lucky to survive.

“Soon, I think. You’ll be able to sleep all you want then, promise. It’s going to be a long trip so we’ll get plenty of sleep on the train,” he said. Since they had arrived, Joe watched nearly every train. He comforted his little girl by running his hand through her soft, wavy hair as he watched people board. When he gazed at his daughter, it looked as if he saw something that wasn’t there. She looked so much like her mother, it was uncanny.

“I miss Mommy,” Cassia said, as if on cue.

“Me too, baby. Me too.”

A train filled with passengers, their names being checked off of lists held by a swarm of white lab coats. He watched as people were led inside to lie down on the beds in their individual cabins. The train roared to life and suddenly lurched forward. Grating howls of metal slowed until it became a rhythmic beat driving off into the distance. Soon the train passed like a snake’s loud rattle and disappeared down the tracks to God knew where. Another train rolled into place and screeched to a furious halt.

“Are all these people going to the colony too, Daddy?” Cassia asked as she tugged his shirt.

Forcing another smile for his little girl, he said, “Of course, baby. We all are.” He wished his wife could be there. He moved close to his daughter’s side, knowing he couldn’t go with his daughter—sure his little secret would be found out. “Here, lean on me. Get some sleep, hun. Lot of trains still in queue before it’s our turn.”

The sickness started to hit Joe when they got off of the bus from the hospital. The buses came faster than the trains could fill and the depot swelled and spilled into the streets as far as the eye could see. Blending in was easy, but the flu-like symptoms would become terrifyingly worse for him very soon. How much time remained, he couldn’t know—twenty-four hours at most.

Soon the lab coat saviors couldn’t be fooled. Not knowing how he passed their tests, he didn’t dare to say a thing.

Gazing around he noticed the man he saw earlier, the one in the business suit. The man looked at Joe intently, making him feel nervous and watched. Beside the guy, some woman wouldn’t stop talking to him, spouting on and on despite his obvious lack of interest. The lady said, “This is all some big government conspiracy—you know that? The flu was just an opportunity. They capitalized on it! I mean, wouldn’t you? America’s going to hell in a hand basket. They’re going to ship everyone to camps where the government can control our lives.”
The man watching Joe turned once, looking entirely uninterested, and told the woman, “Yeah? More likely a camp to hide us, until the world dies. Or we do. I wouldn’t doubt either one.”

While the two talked, writing a note onto the back of a crumpled, discarded piece of paper, he woke his daughter gently. Closing her hand around the piece of paper, he didn’t say a word.

His daughter looked at it and pushed it back; tears welled up in her eyes at the two words—I’m sick.


Joe placed a finger to his lips.

They held each other in a long, sweet embrace. “I won’t leave you, Cas. I’ll keep you safe,” he whispered with a failing voice. He riffled her hair again but Cassia didn’t react. An idea struck him and he leaned his forehead into his daughters—a lipless kiss—and said, “Be strong, Cassia. Don’t tell.” He placed his finger over her lips now, holding the note. “When you see me, pretend you don’t know me.”

Standing, he cracked his neck from side to side; the corner of his eyes looked for listeners—everyone and no one. He crumpled the paper up and, not trusting the trash, ate it. After giving his daughter’s hand one last squeeze, he moved through the crowd. The stale air swooshed past like a warm, foul breath as he bobbed and wove through the unassailable jungle of more fortunate people.

With a push, the huge wooden double-door opened. Sweat began beading under his shoulder length hair as he looked around the congested station. White coats were scurrying around like fish in a net that paid him no heed, when he made a beeline for the bathroom. Soft florescent lights flickered above; rusted pipes dripped down discolored drops.

The walls shook and moaned in upheaval at the long forgotten struggle to stay intact through the coming and going of trains. The inside of the depot had been turned into a makeshift underground railroad for the salvation of humanity.

For a moment Joe questioned his plan, but he had a promise to keep.

The bathroom was caked in filth, rust and the aroma of moldy bread mixed with ammonia. Long white urinals with brownish stains streaking downward hung along the length of the far wall like horse troughs. Two stalls stood to his left. Darting into the furthest one, he waited.

He looked at the toilet seat with longing, his feet begging for mercy, but the discolored piss that covered it would have frightened away the sturdiest of stomachs. Doctors or scientists, he couldn’t be sure, went in and out for at least fifteen minutes before a window of opportunity finally opened. He watched through the crack between the stall and door.

Finally, he found himself alone with one of the depot’s men. The sound of the faucet roared like a Jacuzzi and Joe’s chest pounded with anticipation. Unsure if he would have the chance again, he popped the front door open and walked toward a man in white. The man looked at Joe and nodded, trying to smile. When Joe forced one in return, the guy looked satisfied and reached for a paper towel.

Now was his chance.

Joe’s left hand shot over the guy’s mouth and his right reached around his neck, choking with one quick movement. The man tried to yell but only muffled mumbles came out. Grabbing at the sink, the man pulled until Joe kicked hard against the wall with both feet, knocking them backward into the bathroom stall and onto the toilet seat. Just as a shiny hypodermic needle nearly stabbed him in the eye, Joe barely caught the man’s arm.

Then, a small gurgle came from the scientist’s mouth before he slumped forward.

Horror spread across Joe’s face; a thick needle waved back and forth, stuck in the man’s chest during the struggle.

Joe hoped the needle had some kind of anesthesia. It was a little scary, though—what if the man overdosed? He wasn’t a doctor.

Frowning at the body, he tried to look away. “What now? Think. Think.”

Locking the door to the stall from inside, he pulled the scientist’s coat on and buttoned it. Before crawling out from underneath the stall, he positioned the unconscious man on the toilet, pulling his pants around his ankles.

He looked at himself in the mirror as another white coat entered with red eyes and a worn face. Joe washed his hands quickly, slicked back his hair, and left.


He tried not to look around too much in the depot. If I just look down and move on, no one will notice me, he thought. The depot looked like a tangled mess of white coats.

Across the crowded room, near the front of the depot, stood a long counter where scientists came and went. Waiting, Joe watched the lady at the counter with a sideways glance. Soon, she busily began talking to a handsome fellow—giggling like a school girl.

Joe figured he wouldn’t get a much better opportunity.

Approaching the counter, he kept stock of the lady’s name tag – Mrs. Hamilton. He picked up a clipboard and marched with a livened pace to the double doors. The clipboard had doctor’s jargon and scientific slang littered across the page. He shook his head and put it at his side.

A mistimed beat slapped in Joe’s chest as he stopped dead in his tracks. Cassia talked to a man with a clipboard and cried. She stood at the front of a line to one of the train’s many cabins. He didn’t wait to find out the problem before jumping in to the fray. He only wanted to make sure his daughter made it on the train and that he could stay with her.

“…without your father,” the man stated, turning his paper over and reading the back. “Where is he, darlin’?” the man’s tone sounded impatient at best.

“I told you, I don’t know,” Cassia returned. Her hands sat across her chest and she looked remarkably mature for her age. Her nose wrinkled and her mouth stood out like a duck bill. Cassia’s face lit up when she saw her father and she pointed to him. “There’s…”

“There’s no time,” Joe said, squinting to read the man’s nametag, “Charon, right? I’ve got your post. Mrs. Hamilton wanted you. Inside.” He tilted his head toward the depot. He turned towards his daughter, “Where’s your father, young lady?”

Mr. Charon looked confused. “She said he went off somewhere and she hasn’t… Are you sure? Mrs. Hamilton?” the doctor asked. He looked at Joe as if half-hoping that he would say no.

“Yes, yes. Mrs. Hamilton,” Joe replied while looking through his notes, not knowing what he was looking at. He looked back up to Mr. Charon with impatience, “Go. Hurry back, I’ve got a lot to do.”

The man lifted one eyebrow, looked to the side and dropped his clipboard in defeat. “Fuck. I’ll be back,” he said, then walked off with his head down.

Going down on one knee, Joe put both hands on his daughter’s shoulders. “I told you. I won’t leave you. I’ll be here the whole time.” Looking around, he saw other lines closing their gates; the train neared capacity. “Now get inside before that guy gets back.”

Joe peeked inside; twelve people were in the closed chamber to the left but only seven were to his right. A doctor stood with a checklist by the full chamber, his side of the train already closed off.

Joe turned to the people in line and motioned for more to come forward. “Come on, come on, come on. Trains about to leave. Five more – five more. I need…” He patted each person on the back and pushed lightly toward the open entry. “One, two…” he counted off five when a sixth pushed inside. Not wanting to cause a scene, he blocked off the entrance with a chain and closed the door.

There was a hallway down the middle of the train that made a cross shape from above. Joe slowly walked the passengers down the shorter side hallways, being the only place he saw a door into the halfway filled cabin. Outside, people were staring in with envy. As he let his daughter and the others through the door, he looked around the room.

Each cabin was outfitted with faded, foldout green cots. The door closed tightly and sealed shut, steam shooting out from its corners. A metal box with speaker holes hung next to the door with a round white button affixed to the bottom. He hesitated to gather his thoughts before pushing it.

Cabin number seven. That was a good number.

His finger lingered on the heavy circle before pressing.

Click.

“I need you all to lay down on your cots please. If there’s not enough, please share. The train will be leaving soon,” Joe flashed a smile to his daughter and pressed speak once more, “You’re going to be fine. I’ll be here the whole way.”

Joe stole a wink from his daughter. Cassia looked calm as she found her bed, like most of the others in the cabin. Most laid back with their arms placed lightly over their chests, hands woven together. Next to Joe were two red cylinders with hoses leading under the doors and a large metal valve connected between them.

Somewhere above him a booming, baritone voice spoke with a slow casual tone as the trains engines roared to life and its whistle screamed out their impending departure. “Ladies and Gentlemen. Please sit back and relax. You will all sleep now. Consider it a hood over your eyes, so that we might hide our salvation.”

The landscape started moving faster beside them as they approached a distant tunnel. Gray mist funneled through the cabins across from him as another doctor turned a valve’s small wheel. Joe began to turn his too, not wanting to be seen as a phony, when the doctor glared at him. Dark clouds fell from the ceiling in his daughter’s depot and drifted out like an uncontrollable mist.

“Please do not scream. Please remain calm. You are going to a better place. A place where you cannot bring what it is you carry. It’s the only way, I’m afraid,” the voice dragged on.

The train became dark, eclipsed by a hole dug deep into the mountainside. It lit only briefly to the tune of lights along the covered passageway. Joe wretched at the valve, trying to stop its flow as he heard screams and terrible cat like calls. It was a lightning storm of cruel malice.

His daughter’s face twisted in the violent throws of a seizure. Another passenger in a spasm hit the back of their head against the window with a loud thud before dropping. Joe pulled and pulled on the doors, but they just wouldn’t open. He saw people clawing and raking at one another, trying desperately to hold onto life in their cages of death.

Stopping, he helplessly stared at his daughter like she had already died. His lips trembled and spit hung like tinsel, seeing his daughter sitting in the corner of her cabin. Her hands wrapped around her legs, while she screamed. Veins stuck out as she contorted in some inhuman cry of torture. Cassia’s eyes were filled with sadness—like she had been betrayed. It might have been his imagination, but it felt that way.

Joe looked around for help.

The doctor on the other side, holding his arms up to each side of the cabin, smiled; his head bobbing with the train—his eyes peering forward from the depths of madness. Flashing brilliance sent still-framed moments in waves before retreating into darkness. Joe screamed, “I can’t turn it off! They’re dying!” He ran up to the doctor and shook him by the collar. “MY FUCKING DAUGHTER IS DYING! What’s happening in there? Answer me, GOD DAMN IT! I thought it we were going to a safe place!”

The doctor hung in his grip, shrugging. “The dead are safe, Jack. There’s nothing we can do for them. It’s you and me who have to worry about the bodies.” A sad, nasal laugh escaped him as he swayed in an angry father’s grasp.

“But they’re immune!” Joe roared. His face lit like a Halloween lantern as he pointed at the people writhing on the floor of their cabin. “They’ve been tested!”

“You got it all backwards, Jack,” the doctor said. Then he suddenly seemed to have understood. The smile he held bled away from his bobbling head. “Ah, your one of them? Sorry Jack. You’re ‘sposed to think you’re all immune.”

“Why?”

“How else were we ‘sposed to round you up, get you all on the trains? Listen. Dead don’t get sick’ Jack.” He pulled out a needle from his jacket pocket.

Joe let go and fell back in disbelief. “No…”

“Dead is safe. Dead is real safe for us who really are immune.” The doctor held his arms up in the air, letting some of the syringe squirt onto the walls. “It can’t mutate without a host. Yep.”

Cringing from the doctor, he fled back in a crabwalk-like motion. His back bumped against a cabin window but the bodies no longer cried. Terror no longer rang out.

I led her here. I promised to take her to safety, I promised—twisting, writhing, lifeless husks with sea-foam mouths quivered in the cabin behind Joe.

The doctor stood above him. The needle glinted with passing lights—ripples of radiance danced in the doctor’s glasses. “No use fightin it, Jack.” He sniffed and spat to the side. “Dead’s real safe…”

The laugh again, the desensitized laugh!

“Don’t cry now. Not for me,” he said as he shook his head, amused by his specimen.

“There really is… no… use.”

Joe cried out between sobs but he didn’t try to stop the needle.

“This won’t hurt a bit.”

He wanted to see his wife.

“You’ll feel a slight pinch.”

He wanted to see his daughter.


****END****

I sent Draven a batch of questions for a "virtual" sit down.

Effie: Hi Draven, thanks for talking to me today.

Draven Ames: Glad to (virtually) be here.

Effie: You are a family man, a stay at home dad. Tell me how that plays into your writing. Is managing time a struggle?

Draven Ames: At first, writing became an obsession. I locked myself up and wrote a novel in a couple months. It got difficult at times. Now, it is a better managed obsession.

You have to be careful. Anything creative can be like a drug. When someone reads, they escape their world. When we write our stories it isn't any different.

Fairly early in my writing, we realized that we had to split up our time with the children.

Effie: As a father, I'm sure some fears stem from those you have for your children and wife. Do these ever manifest themselves in your stories?

Draven Ames: Fears will always bleed onto the page. But I've only ever taken one fear and put it directly into a short story. I hear you should write what you know, but I enjoy going out of my element.

But much of our job is reporting back to the world what we see. A lot of that is casual observation of our primal fears. Lord of the Flies was a great exploration of some of man's darkest demons. I want to write something that takes people on a journey like that.

Effie: I understand you are former United States military. Thank you for your service to our country. Do you ever use the training from that background in your writing?

Draven Ames: Not a problem. It helps to know a lot about guns, physical training, soldiering and survival. Soldiers have an advantage over some people in writing, having been through experiences that many others have not.

Be that as it may, I never went overseas. I don't want that to be misinterpreted. The soldiers over there have all of our respect and hopes.

Effie: You are fairly new to the world of writing, but you're making quite an entrance. Tell me what's in store for you in the near future. What can readers expect?

Draven Ames: I sent out a few query letters for my first book. Bullets Till Midnight is about a horror author who believes his stories tell the future. I can’t say much more.

My time has been focused on my new Novella, Heather. I hope to hear good news about that very soon. I have a short coming out in Shroud, issue #11. I wrote a few comics that I will be working on with a writer from Image. He is going to introduce me to a few great artists at Comicon later this month.

I am working on a new Novella now, a zombie story called The Switch. This is an original take. I have outlines for a series of children’s books and three more horror novels.

My family is a major factor in my life, hence the children’s title.

But while short stories keep coming, I am letting them flow.

Effie: I know you've published some short stories. Care to give the curious some titles and links?

Draven Ames: The first story I wrote is the one you are showing with this interview. It won 3rd
place in a contest at SNM Horror Magazine. I found them through doutrope. I have been lucky not go through the ‘rejection’ process yet. Knock on wood.

That story has been renamed and changed since, and I still hold the rights, so I wanted to share it here – something to introduce people to me.

I’ll save the rest of my shameless self-promotions for the end.

Effie: Since you are fairly new to writing, how has your lifestyle changed since you began?

Draven Ames: I don’t watch Television anymore. I read a lot of new authors now. I’m doing my first interview.

Not much else… except that I notice so much more about people now. When you inhabit a lot of different characters, you look through their eyes.

When you think about it, empathy could be a powerful weapon.

Effie: As a writer of the darker side, tell me how you keep life light and fun. Have you found your balance?

Draven Ames: My family. When I get too stressed out, I have to walk away from the computer. Sometimes the scene is just too bad and I need time to breathe again.

I’m in a strange situation. My wife wears the pants, goes to work and I watch the kids. Cooking, cleaning or playing with my boys calms stress more than anything else I can think of. We play Mario, Guitar Hero or read a book together. They love arts, games, board games, books and writing. They are getting a camera for their birthdays, so they will be doing movies soon.

Sometimes they will even help me with writer’s block.

When I’m not with them, I spend time with my wife watching whatever show she is into at the time. I’ve watched Lost, Desperate Housewives, Fringe, Walking Dead, Gossip Girl, Tales from the Crypt, Twilight Zone and all the rest. I drew the line with Glee.

Sorry, that’s horror.

Effie: What other writers do you admire?

Draven Ames: Stephen King. I know, typical. But he paved the way for so many people.

When you go back and read his interviews, you see how intelligent he was. His views on horror and vicariousness were spot on. If we fake it, the reader will see the world through a twisted view. Characters must be themselves, even at the sacrifice of the story.

He said it doesn’t have to all make sense. When we look around, does anything? You believe in evil, but can you argue that evil isn’t necessary? We say society and genes have so much to do with who we are, but once we realize the connection we become aware of the paths. It is like knowing your future: Once you know, it isn’t your future anymore.

Effie: Can you expound?

Draven Ames: Everything that makes sense today won’t be an absolute later. Just a year ago, I thought I wrote amazingly. Now, I write much better and see how bad I really was. There is always room to grow. Next year, I may think I wrote bad this year.

It’s given me a whole new view on the ‘making it’ thing.

I truly believe an agent will find me when I am ready. There isn’t a rush – the publishing world will always be there.

Effie: And finally, is there any advice you'd like to offer for aspiring/struggling writers of horror and dark fiction?

Draven Ames: Seek advice. There are a lot of writers like you, just out there trying to make it. Ask what you can learn from them. Beta read and get to know one another. Support them.

Edits are not easy – they take time. Invest time on others – writers generally return the favor. Be giving with yourself. Be humble. You all have a dream.

Share it.

Additional comments from Draven:

You can find my most recent story here:

http://www.snmhorrormag.com/snmjan2011issue2.htm

The Nothingness won the Story of the Month in the January Author Showcase. I have also been published in their July and August editions. My stories have been featured on Blogs. Recently, I was told The Nothingness will be turned into a Podcast. I’d like to turn ‘Mutated Strain’ into a novella.

I have a Novella, Heather being looked at by Dark Moon Digest. I am sure that will come back positive.


****


And that is that. I heartily enjoy Draven's writing style and his humility is refreshing to see. If you liked the story featured here, please check out his Story of the Month over at SNM Horror Magazine. He also has a blog (where he also interviewed and featured me), which can be found at Another Slightly Scary Story.

I'd like to take a moment to thank Draven for agreeing to talk to me and letting my readers have a peek at him. We are, of course, always excited to see another horror writer coming into our midst.

For now...


Peace & Love
~Effie

Monday, June 14, 2010

What Could Possibly Be Over a Black Rainbow?

My novelette, Black Rainbow (clickable), is being published by The Piker Press, and Part One is available today. Go and have a read.

Blurb: Years pass, and what seemed would be unending tedium, a habit of living suddenly changes. It feels good, but only as long as Emma and Fox don't think about it too much ...

Black Rainbow: Part One of Four, by Effie Collins.

Peace & Love
~Effie

Tuesday, May 11, 2010

Free Fiction!

My friend, Neil Colquhoun, has some fun stuff just for you. If you want some fiction for nothing, with no effort except to check your email, go here (clickable).

And there's even an extra blog post from me today. Woo hoo!


Peace & Love,
~Effie

Sunday, April 11, 2010

A Contest! ...Umm... not mine, though.

My darling friend and fellow writer, Damien Grintalis, is holding a contest on her blog.

A Contest, you say?

Go, read the rules, do your thing. Win prizes! Yes, prizes! Bards & Sages Quarterly, features Miss Grintalis herself or a book. Go forth! Make that first sentence shine!

Peace & Love, y'all
~E.

Monday, April 5, 2010

Flash Fiction Contests: Podcasting, anyone?

The people of Escape Artists are holding Flash Fiction contests, five hundred words or less, for each of the company's podcasts. Sci-Fi, Fantasy and Horror. Everything Masters of Horror is about, so I thought I'd share the info with you lovelies.

Join the forums here and find the rules here.

Each podcast zine has a different submission period so be sure to read when to send the different genre submissions. Good luck!

Peace & Love
~E

Thursday, April 1, 2010

The Keepsake--short story up at SNM Horror Magazine

Hello, lovelies.

Want to have your breath taken away? Over at SNM Horror Magazine, 8 wonderful stories (including my own, The Keepsake) wait to suck the breath right out of you. And the lovely Diane Dooley has one up as well (After Happily Ever After). Check them out (check them ALL out please) and I promise, you won't go away disappointed. Both issues are excellent.

April Asphyxiations at SNM!

Give 'em some love, y'all.

Peace & Love
~E.

Thursday, March 25, 2010

Spitting Out the Unnecessaries

Sometimes, writing is much like seeded grapes. You keep the good part and throw out the bitter seeds that you don't want or need.

Nasty buggers, those seeds.

When choosing what to throw out of your writing life, whether it be within a story or even in your "network" of writer-ish types, bear one thing in mind. You can't do everything for everyone, nor can you include every little thing. Sure helping people is great, doing things with other writers is great, but egads, it's draining.

I took a good, hard look at myself this morning and I don't even like what I see. There is absolutely no color in my face what-so-ever, the circles under my eyes seem to have doubled (even for a chick with chronic insomnia), and I have lost so much weight it's scary. Oh yes, I can count my ribs and cut people with my hip bones. Not good at all. I was sitting comfortably at about a buck forty (women all over are gasping in shame that someone told their weight on the evil interwebz) and I'm down almost thirty pounds from that. Hell, I feel unhealthy.

My point?

We writers try so hard to spread ourselves out--but a too thin layer of cheese on any cracker is useless. Might as well just let it slide off, yes?

The life of a writer, especially one just starting in the publishing business, can be very isolating. More and more time gets spent on editing, writing new sections, rewriting this or that, reading for one writer friend, reading for another, trying to make sure you talk to everyone in the biz you know a few times a week at least. The writer forgets what the sun looks like, forgets what he or she looks like, what outside smells like. They forget to eat (just coffee and a cigarette, please!), forget to call their mother on her birthday, forget to pick up bread for lunch. Got to churn out more words.

We're not machines, okay guys? Yes, setting goals is great. As long as they are realistic goals and one doesn't forget to take care of themselves. You can't write shit if you're dead.

Writing needn't be an obsession. It should be fun, should be something you enjoy doing as much as you desire to do it. If it becomes a chore, what you put out turns to crap.

Writing crap is okay--after all there is nothing you can't fix and sometimes you have to write crap because it just won't leave you alone. But if it gets to the point of burning yourself out, I think it's time to reassess exactly what you are doing. No one's chosen career should kill them. And if you only put out crappy writing, you need to take a look at what caused the change and get back to you. A tired, burnt-out writer can't write for themselves, much less socialize with others and help them out.

Which brings us full circle.

How many of your "writer" friends only talk to you when they want help with something? Thankfully, this has happened very few times to me, and I've had no problem cutting them the fuck out of my circle of writerly friends. If I hadn't, I'd be in worse shape than I am now. This is taxing, guys. If all you do is take and take and take, with no reciprocal return for whom you take from, you are only hurting yourself in the long run. We should help each other, not be selfish and only get what we can out of each other. This business is tough enough and draining enough without selfishness added to the mix. Eventually, the takers will have taken all they can get from every writer whose path they have crossed and there will be no one to help them when they really need it.

And if you are one of those that only take, I say this. Shame on you, asshole.

Peace & Love, y'all
~E.

Saturday, September 5, 2009

Incredibly incredible credibles and other nonsense

So, this is a fly by the seat of my pants post. I have no idea where it's going or what I'm going to say. You have been warned.

First, my poem "Addicted" is up at Short Story Library. Stop by, take a read.... subscribe to the journal. There's some good fiction and poetry on that site. You're missing out if you don't go take a look-see.

Second, my son will be celebrating his tenth birthday this month. Ten years, the boy has been alive. It doesn't seem like it at all. I can't believe that this tall, manly thing wandering around my house is the tiny baby I brought home. It's amazing, seeing your children grow up. Mine are growing too fast. I need a ton of bricks to put on their heads... slow 'em down a bit.

Maturity in children has gotten me thinking. When do we, as parents, need to stop and say 'You're still a kid'. My oldest boy is obsessed with girls and cooking (he likes to cook). My kids have been cooking for a long time. I'll not have sons who need a woman to do their cooking for them. Anyway, the point is, with all the forward movement in society, when is it time to stop and just let kids be kids? I'm always talking to them about how it's my responsibility to prepare them for the future, but it begs the question.

When is the right time to let the future take care of itself and just let the kids be? I'm afraid I don't know the answer to that.

Being a horror writer with children is so funny. My kids are always asking me to read them something I wrote. And most times, there's nothing I *can* read to them. I don't write your grandfather's horror story. My work is graphic--not blood and guts, but truly fear inspiring (Well, what's the point in being a writer if you can't admit what you are good at?). My kids being interested in what I do is wonderful, I just wish I could share more of it.

However, it pains me to see that when I do find something they can read, something that isn't mine but is age appropriate, they aren't interested. I love to read--I'd read anything you put in front of me, good, bad and ugly. My kids don't share this love of the written word, though and it bothers me. How can I get my kids to read? I've tried assigning them daily reading, which doesn't work. I've tried buying them books in subjects they show interest in. Still, nothing. In the age of images, words are just boring. This is sad. There are so many worlds to be explored. And a writer whose children don't like to read? Talk about a horror story...

Getting your child to read isn't as easy as it sounds. With movies and video games, not to mention texting and IM's, Myspace and all the rest, how are kids supposed to want to read books? Maybe if I sent it to them page by page as a text message...

Well, that's about it for now. I can't think of anything else, so for now....

Peace & Love, y'all
~E.

Tuesday, August 11, 2009

Interesting Story Formats

Recently, I've noticed some interesting story formats. By recently, I mean in the last year or two. 100 word stories, Hint Fiction (click here for a call to submissions) which is a story of twenty-five words or less. These are intriguing little snippets that can be downright disturbing.

I find these little tales fun to write. I've been writing them for a long time--not with publication in mind, though. I use it as a outline, actually. Three sentences; a beginning, middle, and end. I'm not major on outlines, I have very little use for them, but I have to get my ideas down or I'll lose them. So, I started writing out the beginning, middle and end in a single sentence for each. I called them snips for a while.

Anyhow, just a cool little tid bit (yes, pun intended). Check y'all lata.

Peace & Love, always
~E.

Sunday, August 9, 2009

Talking seriously about horror

Many people consider horror the bastard genre. That's just how it is.

"Oh, I can't read that! It's scary!"

Yes, yes it is. Fear is powerful, almost too powerful. The most powerful of those fears is the fear of being afraid. Most people do not want to feel fear because it is sheer, raw emotion that they can control no more than they can control their breathing or heartbeat. Human fears are inexplicable, like why the Earth is round or why twenty-four hour convenience stores have locks on the doors. We humans like to be in control. We like to know that we are in charge. But when fear is involved, our own power is stripped away and instinct for survival kicks in for some, or they huddle in a sobbing, squeaking mass of uselessness for others. Fear is uncontrollable. You can't just stop being afraid of spiders or snakes or the tooth-fairy.

When considering what fear is in it's self, a person is most times stuck for words. It seems undefinable. Inexplicable. But it's not. It's really not. Fear is a beautiful emotion. Some may argue that it isn't an emotion, but that is totally untrue.

Fear, for me, starts as a physical reaction. Breath quickening, heart pounding. Blood rushing in your ears. Sound familiar? Does anger not do this to you? Does love or lust? All emotions, remember.

Fear starts out physical, but eventually moves on to mental. Again, sound familiar? The mental aspects of fear are the ones I like to explore the most. The thoughts, the half-formed things we wouldn't dare to allow ourselves to think. Going beyond our boundaries and into the unknown areas of our hearts and minds. Fear is a sickness, an emotional reaction. Fear is physical, mental, emotional.

Fear... is powerful.

And I love it, my god, do I love it!

There are irrational fears that take a person back to childhood. A fear of heights or the dark for example. Both fears of mine.

The lights go out and I'm useless. I may cry, I may scream, I may mumble incoherently until someone turns on a light or strikes a lighter. It's incapacitating. And I can't explain it any better than the next person.

When I die, I'm being buried with a flashlight.

Now, how has a post about horror morphed into a post about fear?

Well, to write horror, the writer needs to understand fear on it's most basic level. Some argue that fear is one thing or another; reaction versus emotion, as I mentioned earlier. None of that matters in the least.

Fear, in its most basic form, is all encompassing. There's a loss of control, over body and mind. Panic, hysteria.

I'm not talking about running from a spider or getting the willies over a clown painting. I'm talking about, "Holy SHIT! I'm either going to die or go crazy," type of fear. Real fear. Hardcore, baby, hardcore.

Horror plays on fear. All things macabre and horrific... all things that drive you crazy with fear. The unknown? Perhaps. But really, what is more fear invoking than the possibility of loss of life, limb, loved ones? What is greater than that? Loss of mind? Oh yes. My worst fear is going insane.

Which brings me to another point. I write quite a bit about mental defect. It's a fear of mine and one most people can share, even if they refuse to admit the possibility of insanity frightens them. Imagine being in a mind that is no longer your own. In a frame of mind that has no end to the thoughts that intrude and provoke strong emotion. Imagine not being able to control the one thing that makes you who you are. THAT is what I write about, most times, in one way or another.

Scary? Oh yes, it can be. Being bipolar, I can write about the places in the mind that others dare not go. Those insane little places that are more screaming chaos than actual cognitive thought. I can do it. It just takes me a long time. I'd rather not go there more than I have to. Would you blame me?

Now, the fun part. I want some participation. Tell me about the side of fear that you don't like to look at. I don't want to hear about mice and spiders and snakes. I want to hear a deep thinking analysis of how fear manifests its self in you. And not just what makes you afraid... I want to know how you deal with fear. No mantras, please.

So? Tell me. How do you deal with fear? How do regain control? And is there, in some tiny part of your mind, a place that quietly whispers that this will never end? That this temporary insanity will become permanent? And if it does... does that little thought drive you closer to fear induced hysteria... or does it ground you and help pull you back to reality?

Think about it. Talk to me. I want to know.

But for now,

Peace & Love...
~E.

Tuesday, July 28, 2009

Release Dates and LINKAGE!!!!!!!!!

So, it's that time again. But this time, I have links and dates for you, so you should be happy.

Short Story Library will be publishing my poem, titled "ADDICTED", on August 30, 2009. You can subscribe for their free newsletter for updates.

The Piker Press has my story, "TOO LITTLE, TOO LATE", set up for release on November 9, 2009.

Now, on to other things.

I'm writing a lot of short stories lately. Work on the novel has slowed, but it's still percolating. These things take time. I had a self-set deadline (along with some of my lovely friends at AW) for September 1, 2009, but I don't think I'll finish it in time. Since it's not a publisher-set deadline, I'm pretty okay with that. I'll finish it. This is the novel, I think. The big one. It's gone so smoothly for so long, I was bound to hit a snag, and I did, but this book just won't let go. I'll keep you updated. I promise.

For now guys, I'm out. I need coffee and cigarettes. And of course, I have some writing to do.

Peace & Love, y'all.

Always love.

~E.

Thursday, July 16, 2009

No longer unpublished? Oh the HORROR!

Well... unpublished doesn't quite fit anymore. Semi-published? Can I get away with that one? Would y'all forgive me for being semi-published? Can I still blog on The Life of an Unpublished Writer if I'm no longer "unpublished"?

Why, fuck yeah I can!

So, by now you've figured out that I'm having something published. Two somethings, actually. One is a poem, the other flash fiction (which is very short short stories). I'll provide links once they are up on the web-based magazines. I promise I will. There's time enough for waiting, don't you think?

So, what to write about? Well, on my writing front, there's the short stories, as always. There's the novel I'm not writing. I'm supposed to be writing it, but I'm stuck. The bells aren't ringing right now. I have a feeling this novel is one I'm going to have to take in sips. If I write for too long on it, I start going nuts. I wrote all day on it once and when I went to bed that night, my ears started ringing. Anyone who knows what the novel is about will understand the reference.

In other news, on my last post, I told you about my recent rescue, Chancey. She is a darling. Gaining weight and muscle... she looks good. Much improved. Very happy, as well. She loves me to death. She follows me around the house, always close to where I am.

It's getting close to school time again, so school shopping will start soon.

Oh joy of joys. I have to shop for three kids. It is never, ever fun. School shopping bites a big weiner. A really big one. A footlong even.

I really don't have much to talk about, so I think I'll leave it at that. For now...

Peace & Love, y'all.
~E.

Wednesday, June 24, 2009

Oh, you sexy BEAST you!

I'm so sick of this new fad that has vampires as protagonists. They shouldn't be protagonists. I think ALL of these vampiric romances are gimmickry. Bland blah romance story, so what do we do? We make one half of the couple a vampire who hates themselves. COME ON!

Let me ask this. Would you date someone who drank blood? Would you find Hannibal Lecter (fictional) or Jeffrey Dahmer (very real until his death) sexy? Ooh baby, ooh baby. Would you lay beside someone who could, at any point and time, roll over and take a chunk out of your throat?

Let's all face the music here. I'm not ranting, but I'm gonna make my point. Vampires don't like humans except for as dinner. If a vampire male or female took an interest in a human of the opposite sex, they would turn the human. Humans are the vampire's natural prey. No way around it. Does a tiger fall for a gazelle? Would a lion love a zebra? (Although, I do have to mention, I did find my cat having his way with a squirrel once, but he was one of those that would have his way with anything... we called him the rape artist)

These vampire romance things are ridiculous. It's time to move on from the vampires and let them be the horrifying, disgusting monsters they are supposed to be. Vampires do not have souls. No soul. They are things, creatures. They do not feel. RESEARCH! My god, if you can use google, you can find out what constitutes a real vampire.

I wouldn't kiss a dead man. I wouldn't kiss a man who wanted to drink my blood. What is so sexy about a killer? Before you (general you) start screaming "my vampire doesn't kill anyone", I'll go ahead and say it. If he doesn't kill, he's not a vampire. Or she, since we could be talking about the female here.

The sexy enchantment everyone is bastardizing is supposed to be frightening, not admirable. The animal magnetism has been part of vampire lore since it's fledgling days. However, the "enchantment" wasn't by a sexy guy who just happened to have fangs and suck blood. It was like hypnotism--the one on the receiving end had no control over themselves. They went like a lamb to the slaughter... because there was no way to stop it. And in all actuality, that particular trait of the vampire was borrowed from snakes, of all things. Want to kiss a snake?

I'm not trying to stifle creativity. But just because your story has a vampire in it doesn't make it horror anymore. The vampire is just the new forbidden fruit and to be honest, it disgusts me. The things we used to fear are becoming acceptable and desirable.

Does anyone know what happened in the 17th to 19th century to people who were thought to have the "vampire virus"? Anyone? If they do, I'll eat my hat. Does anyone even know what the "vampire virus" truly was? Tuberculosis. Let me put on my history hat and instruct...

Throughout Europe and the colonies, a sickness struck. Those afflicted would weaken, grow pale, feeble and frail. Their skin would eventually take on a translucence that could only be explained by old folklore. Vampires. Many times, after the death of one person with the sickness, their family members would become ill. The more widespread the illness, the bigger the fear grew. It became the belief that if one died, the corpses were reanimating and coming after their families in the night while they slept. One after another, family members would die. Immediately after their death, their cheeks would grow rosy, as those with TB or the plague do, feeding the belief that the corpses were rising from the grave.

To stop this "vampire affliction" it became practice to mutilate the bodies. Remove the head, burn the heart and mix the ashes in a tea to feed the living but ill relatives, saw off the arms and cross them over the remains. Pretty gruesome, huh? But this is all sexy. This is romantic.

I admit it, I'm pissed. Every single vampire romance out there is a fraud and bull shit and I don't mind people knowing how I feel about it. These are the monsters of my genre, but suddenly, they aren't monsters anymore. They're just "misunderstood". Sure, sweetie, come on. I don't care if you kill me by ripping out my throat, because it's you and I LOVE you.

Fuck it.

I'm done with this. I can't keep going or I'll just get angrier.

Peace & Love, y'all
~E.

Wednesday, June 10, 2009

You know that certain appendage on a brass monkey...

Balls. Do you have them? Anatomically, I don't.

But in my work, I definitely do.

No matter what I'm writing, I'm willing to take chances. I'm willing to pay to play. I'm definitely able to write good stuff.

So why the hell don't I?

Well, a couple reasons. I am not pounding out publishable prose on the first draft. Unless I somehow become a genius in the next twenty-four, I don't think I ever will. That doesn't mean it's not good, just not publishable on the first go around.

When will it become publishable, you ask? Fuck if I know. I'm not a big believer in faith, no "It'll get better" for me. To me, it's shit, will always be shit. It's never perfect enough.

This holds me back? Sure it does.

My problem, not yours... unless you want to read, and then you're fucked. Double fucked.

But I'm trying! I'm sending out short stories to different magazines, getting good--no GREAT-- feedback. Will it ever happen? Maybe. Probably. Does this mean I'm better?

NO! A big, giant, resounding NO to be exact. It's hard work, writing a good story. People say, "Anyone can write a story."

Yes, yes they can. But I don't just want to write a story anymore. I want to write a good one, one to be proud of, one I can point at and say, "I did that!" without a big, fat face full of red shame. Okay, okay, I know my face isn't fat, but still...

So, what does that make me?

It makes me a writer. We all want our works to be better. That's why we edit non-stop. Yeah, that's loads of fun. But in truth, it really is fun. It's a blast. But it's frustrating, confusing, and intimidating all at the same time it's being fun, too. It's a roller-coaster.

It's a drive through the mountains.

It's a day without a night.

It's a beautiful spring morning.

It is... whatever I want.

So, why can't I get it right?

Answer: Because no matter how perfect I want to be, I am as fallible as any other. I have flaws, for fuxake!

I am beautifully flawed.

Imperfectly perfect.

Pessimistically pessimistic.

Incredibly gorgeous... Oops! Didn't mean to type that one. Oh well, it stays.

Really, this is just a post for the sake of posting. I really just wanted to say that a person needs to have a pair. Other than that, I have no idea what I'm saying here.

Do I ever?

Peace & Love, y'all
~E.

Saturday, May 30, 2009

Description

Today, we are talking about descriptions. This was a recent discussion on Absolute Write and it got me thinking. When you are in school, they teach you to over-describe and put adverbs and adjectives everywhere. It's not good practice for fiction anymore. You can't get away with it. So, put it out of your head, for now. No adverbs. They are cheap and easy. I don't write cheap and easy, well, at least I try not to.

Sometimes, it's easy to get into lengthy descriptions about surroundings. But let me just say, unless your readers are from Mars, then they know what an oak tree is. They know what most kitchens and bathrooms look like. So, what about description?

Well, for the most part, it needs to be interweaved with the story, not thrown down in long chunks of prose. Build your world slowly, in sips. It's more natural.

Your characters don't notice their surroundings constantly, so why should the readers? Most human beings take their surroundings for granted, especially the familiar ones. By all means, if this is the first time your character has ever seen a certain object/place/person, describe a little. But only a little. Don't over-do. Since it was the subject of the conversation on AW, let's use the kitchen as an example.

I don't describe the kitchen or anything else unless I have to. I describe the things that are important. I mean really, how many ways can a kitchen be? If you let your readers get to know your character well enough, they know what color the kitchen is. Or a rough estimate. World-building isn't descriptions. It's making your character, and through them your readers, interact with it. They know it's there. It's safe to assume that if they are getting coffee, that they have a coffeemaker (or instant coffee). We don't need to know anything more than the character's actions. If they are painting a room, fine. Mention the color. Have the characters talk about it. Why are they painting? Why did they pick this color? But always ask yourself if it's important. If it's not, then there's no point in it being there. If they are just painting the room to be painting it, do they discuss something that helps with the plot? That's always an option. Does something happen while they work? It's not always about painting a picture. In fact, it's not painting a picture at all.

For me, description is only a little bit of information to allow the reader to assume the things you (the writer) want them to. That's all it needs to be. You needn't add into the story that the cocker spaniel has brown eyes. All cocker spaniels have brown eyes. It's unnecessary. We writers need to stop assuming everyone else on the planet isn't as smart as we are. In truth, they're are probably quite a few that are smarter.

My point is, describe what needs a description. Loading down your manuscript with pointless words is only going to make your job harder when it's editing time. Editing, however, is for a different post.

That's it for now guys.

Peace & Love
~E.

Thursday, May 14, 2009

Horror Hound

Finding others like you is no easy task, especially if you are a writer with a very... different turn of mind. We all know what I write. (Horror! Yeah!!) We know why. What you don't know, is how I got there. Well, now is as good a time as any to tell you.

My mother taught me to read when I was 3. She would read old Louis L'Amour westerns and teach me a bit from each chapter. By the time I was 5, I was not only reading books for myself, but I had started telling people little stories I made up. My parents called them my "tall-tales".

My mom had this book with a shiny silver cover that I wanted to read just oh-so-bad. But she told me no. In fact, she told me if I read it, she's ground me for a month. I was 7 then. She handed me, instead, JRR Tolkien's works, The Hobbit, The Lord of the Rings set, and the Silmarillion. My 8th birthday was about two weeks away; she had bought me the books as a gift and told me once I could read those, she'd let me get adult fiction from the library and school. So, I hatched a plan.

I read the books, but by the time I got done with them, summer had arrived and the school library was closed. So I waited. The big library ended up in me not getting the book with the shiny cover--Mom was always with me-- getting it from school was my only chance. That fall, I turned 9 and the Book-Mobile started it's rounds.

It was just too easy. The lady that drove the big van with the books inside simply asked me if I was sure I wanted it. I told her I was absolutely sure. She looked at my card, saw my mother's signature at the bottom of a scribbled permission for higher level reading material and signed the check-out card.

That evening, I went home with Stephen King's The Shining carefully hidden in my book bag. I didn't sleep that night, but not from fear. I gobbled up that book the way a greedy kid would do candy. And I fell in love. Every time the Book-Mobile came around, I checked out another King novel. With my allowances, I bought his books from the Book Exchange, where you can get used hard and paper back books for a couple of bucks.

I'd already been writing for my own amusement. But it wasn't until much later that I actually realized that writing horror was for me. I started writing seriously when I was 12 years old, as some of you may already know. But, I didn't write a single horror story for a long time.

I started writing horror when I was 17. I had been writing for about 5 years, taking stabs at different things to find my literary home. After a YA romance, a western romance novella, and quite a few fantasy attempts, I tried out thrillers. It wasn't so bad. I got mid-way through my new thriller, then I had to stop.

Another story was poking at my brain and, at the time, I hadn't learned to compartmentalize my thoughts so I could keep things in their place. I stopped writing my thriller and started on a novel entitled "Blood and Water". As soon as I began, I felt normal. I felt like I was at home. I knew that this was the place I belonged, a love I'd had since I was 9.

It wasn't a bad novel, considering I was 17, had quit school the year before and was writing on nothing more than passion. Reading it now, I can see the naivete in it, but it's the first horror piece I ever wrote and I love it as much then as I do now.

I've since wrote Science Fiction and other speculative genres, but I am a horror gal. It's what I write, what I love. And believe it or not, it's what I'm good at. Looking at some of my other stuff, I can see for myself that they are no where near as strong as my horror works. But, that's okay.

I'm happy to write horror, happy to be a hound of the macabre. The Absolute Write Horror Hounds have given me a place to feel welcome and I've found others with minds as sick and twisted as mine is. It makes me feel all cold and moldy inside, like we horror people should (That is just a joke... the whole warm and fuzzy thing).

So, my friends... let us get under your skin. Let me and my fellow Horror Hounds tickle the scare gland in your brain. You can find many of them in local bookstores or online (You won't even know it, but they are there, I promise). Let us scare you. It's what we do. Maybe what we were meant to do. You won't be sorry... or who knows? Maybe you will be.

Peace and Love, y'all
~E.

Monday, May 11, 2009

The bells, the bells...

You know what I love? Having an unconventional, but extremely good, idea. I have one. Just one, mind you. For now.

But my bells have started ringing and I think this is my breakout book. No, not in publication, I'm just breaking out a bit more myself. Sorry, no pubs from me for a while, but when I do, people, you'll almost be the first to know. Surely at least the third... or fourth... I'll let you know eventually, I really will. I even promise, how's that?

Right now, my current WiP (which means work in progress, c'mon get with damned program already!) is going fairly well. I'm on the third chapter already and have only been writing for two days. Not bad, if I do say so myself. I usually take a lot longer to get past my first two chapters. I'm making progress. Maybe not good progress, but I'm working on it.

Now, this is a very delicate matter. Wait for it... I haven't even started yet, people, sheesh! Anyhow, I want to ask you something. Listen close now...

Do you hear them? Can you hear the awful sound of the bells? That terrible, terrible clash, reverberating through your entire being? If you don't... well, maybe someday you will.

Ding dong, ring a ding ding and the whole schlemiel.

I'll be talking about this quite a bit, so stay tuned.

Peace and love, y'all
~E.

Wednesday, April 29, 2009

Gone

Shivers run
up and down, up and down
Cold grows closer, closer
and even closer still
Rampant imaginations run free,
back and forth and back again
Dreaming things that never lie,
never die, will never go away
Leaving all behind in a hateful
wake of insanity
Lost never to return to the place
they once called home
They are now and always will be
Gone.

Here's the first thing you'll ever read written by me. Enjoy.

Peace and love, y'all
~E.

Sunday, April 26, 2009

Upcoming... no, don't get excited

Hello. For all my blog fans out there, if there are any, I've decided to put up some of my dark poetry and flash fiction that I'm not hoping to publish for your reading pleasure. No, not in this post. But... stay tuned. They're coming... soon.

I've been gone a while, so let's catch up, huh? I've completed a few more stories, which I now no longer have. That'll teach me not to back up my files, huh? Thankfully, I had my important works backed up, so no big thing. I can always write more. It's late and I'm tired, but I wanted to update. Soooo, for now...

Peace and love, y'all
~E.